Selected projects
TITLE |
COUNTRY |
PROJECT HOLDER |
Beatrice |
USA |
Elizabeth Leister |
C19 |
Mexico |
Alán González |
CocotteMinute |
France |
Teddy Aymard |
Code Blue |
Belgium |
Joyce Palmers & Pieter De Cnudde |
Drunk Zombie Duelists |
Belgium |
Christopher Morrison |
Memtek | USA | Ana Zimhart & Lauren Hayes |
Nexus |
Spain |
Rodolfo Lissia |
People to People |
Germany |
Fabian Vetter & Maddie Gwin |
Soulsearchers |
Belgium |
Maïté Spaenjers & Charlie Dewulf |
The Empathy Machine |
Italy |
Valentina Paggiarin |
Wallada |
USA/France |
Nathalie Mathe |
Presentation pitches
Overview of the regulations 2020
Eligibility
To be eligible to participate to The Booster, the candidate Producer must be at least one of the following:
- An experienced S-3D/XR producer (for any of the types of contents listed in Article 4).
- An experienced 2D producer who would like to make the often-difficult transition to S-3D / XR for some of his projects.
- A person with a limited experience in production, but with a demonstrated artistic ability, such as a director or an artist.
The candidate Producer must demonstrate, at the time of submission of his project, his proficiency in English, both oral and written. The Organizers reserve the right to decline a Producer if his proficiency in English is not sufficient to present his project.
The Booster is exclusively dedicated to projects for stereoscopic-3D (S-3D) immersive contents.
Three categories of immersive S-3D contents are of primary interest:
- contents that are intended for theatrical release;
- contents that are intended for XR devices/platforms/experiences;
- contents that are intended for immersive experiences/installations.
All contents must also have significant international sales potential.
Gaming experiences are not eligible to The Booster.
Financiers
The Financiers are selected by the Organizers and the Coordinator.
In previous editions of the The Booster, the Financiers represented companies such as Atlas V, AS Media Consulting, Creative Europe, Demute, Digital Golem, Diversion Cinema, DV Group, Cassette for timescapes, Entertainment One, Film Fund Luxembourg, Infinity Festival, INVR.SPACE, Impulse Brussels, Les Films de la Récré, MK2 VR, Nexus Forward, Neotopy, nWave Pictures, Okio Studio, Potemkino, RedBull Media, SC Films, Scope Invest, Screen Brussels, Sola Media, Umedia, VRrOOm, VR Society, Wallimage Creative and WideVR.
The names of the Financiers will not be made publicly available until the start of The Booster, during Stereopsia.